Guest Post for Film Friday: Photographer Tanja Lippert

My name is Tanja Lippert and I am a 100% film photographer specializing in weddings, fashion, commercial, music & fine art photography. I’m also one of the hosts of a very special show on the Framed Network called FILM!

nautical-00071  000090850016 Tanja_Lippert1_1501

I live in sunny California, but travel worldwide for photography assignments. I am very passionate and committed to my craft. I love adventure, creativity, traveling, spontaneity, teaching and inspiring others. I am a dreamer and a hopeless romantic at heart. I thank God that he has blessed me with creative gifts and abundant love. On top of all that, I am pretty much a big dork!! I often get asked, “Why do you still shoot with film?” The answer is pretty simple. I am a huge fan of the quality, richness & “magical” look that film has to offer. My favorite films to shoot include Kodak BWCN 400, PORTRA 160 and PORTRA 800.  I love the creaminess of the BWCN 400 and the fact that it is process C41 makes it easy for labs to scan this film and it is really beautiful!  The PORTRA 160 is my favorite portrait film to shoot, the skin tones are beautiful and it has a creaminess to it that I love.  The PORTRA 800 is wonderful film to shoot in both low light and sunlight, it has a beautiful saturation to it, while still keeping skin tones looking natural and amazing!  Shooting film “connects” me to my subject and surroundings and makes me more acute to what is happening in front of my camera. There is no reason for me to be distracted by viewing the images in the back of my camera all day, so instead, I am focused on looking through the viewfinder; waiting for just the right moments to capture.

tanjalippert6-00014 oj013

So many of those moments came during the filming of this season’s FILM Show. We spent eight days in the desert of Las Vegas shooting everything from muscle guys and muscle cars to beautiful models and beautiful scenery to a real wedding to getting shoot whatever makes our hearts happy.  I chose to shoot one of the Assistant Producers in a series of “beauty” pictures because one of my favorite things to shoot are women.  I love to make them feel special and beautiful in their own skin.

39820032 tanja_lippert-0058

When I started shooting fashion work back in 2001, digital was not even an option. I learned photography on film and have NEVER switched. Despite the pressure of the photographic industries and all my fellow photographers, I have held steadfast and true to my love of film and have NO plans on ever switching. By using one of the best film labs in the world to scan my film into high-resolution digital files- I get the best of both worlds, film & digital. I get the look and beauty of FILM CAPTURE along with the convenience of digital (like utilizing Photo Shop when needed and being able to show my work on the internet and share digital files with my clients). Yes, it is true that film is more expensive to shoot and requires me to be an EXPERT at my craft. That is exactly why I will continue to shoot with it. For me, photography is still an art. It’s MY art. It’s my blood, my sweat and my tears. It’s also my joy and my love. I would NEVER dream of sacrificing the quality and look of the images I produce for anything. I know that every photographer has his or her opinion about which is superior, film or digital. For me, film is what makes my heart happy and emotionally ties me to my images.

http://www.tanjalippertphotography.com

http://instagram.com/tanjalippert

https://twitter.com/TanjaLippert

Sharing Our Images – post from Reid Callanan

“We’ve enjoyed a long relationship with the Santa Fe Workshop, led by Reid Callanan and we’re thrilled to have a blog post from him today. Reid’s passion for photography is matched only by his desire to help others become better at it. In addition to the many workshops his organization runs, he runs Photo Teens, which introduces young adults to the world of photography. Reid tells us a bit more about the program, and why film is an important part of that  workshop.” – Audrey

**************************************

When I was a young man (40 years ago) I grew up in a photographic world of film and black-and-white prints made in a darkroom. I learned the craft of photography getting my hands wet. Fast forward to 2013, and today’s youth are growing up in photographic universe almost completely unrecognizable from a technology standpoint. Their world of pictures is a digital one using cell phones to post their pictures to Facebook and Instagram. What a world of difference in a few short years!

At the same time, young adults who work with film are continually amazed by the experience and results, and react to photography created with film much differently from that created via digital. As director of the Santa Fe Photographic Workshops, I believe in getting teens excited about photography by watching an image rise and take form in a tray of developer and sharing the resulting print with their friends face-to-face. For this very reason, we teach our Photo Teens summer workshop program using film and printing paper. These silver-halide materials and the uniquely magical process in the darkroom excites and inspires these teen’s creativity and self expression unlike anything in their digital domain. This traditional photographic start opens an entirely new world for their dreams and visions.

Kodak Alaris has been a long-time supporter of our Photo Teens workshops over the past ten years and their materials have enabled our teens’ photographic vision to come to light. Here are a few images made by the participants in this summer’s Photo Teens workshop here in Santa Fe:

Michelle La Sage Ryan Williamson Sharing images is at the core of being a photographer, whether making silver prints or digital images. One fun and rewarding way to share our images is entering photography contests. Entering contests affords us an opportunity to evaluate our images and choose our best work. Then we get to see if our best work is considered by the contest judges to be the best work submitted. Being recognized and acknowledged for our best work is a rewarding experience for any photographer. And if we are so honored, we get to share our best work around the world. And the prizes are nice too.

AlmaValdezGarcia AlmaValdezGarcia2 Sarah_Surprise

Our upcoming photo contest from the Santa Fe Photographic Workshops is themed BACKYARD and will run from September 19 through November 19. Kodak Alaris has generously provided professional film as prizes for all four major contest winners, and we have provided free workshops, and many other photographic companies have provided prizes as well. Check out the details for BACKYARD here http://www.santafeworkshops.com/contest/.

Reid Callanan Director,
Santa Fe Photographic Workshops

Twitter Chat with FILM photographers Aug 20

[F]network

UPDATE! THE CHAT TIME HAS BEEN MOVED TO 4PM EST, TUESDAY, AUG 20TH. 

We have some exciting news! Remember last March when we first featured the {F} Network here on 1000Words? Well, it’s almost time for the new season. To help everyone get ready, next Tuesday, August 20th at 5pm EST 4pm EST (NOTE UPDATED TIME!), we’re teaming up with the awesome photographers from FILM! Season 2 for a Twitter Chat. That’s right – the group behind [F} Network show’s popular educational and inspirational FILM! Season 2 will join us on  Twitter to talk about their experiences and give us a sneak peak of what we can expect in the new season. Wondering when Season 2 starts? They’ll tell us that, too.

Oh, and at the end of the chat… wait for it… there will be a Kodak film giveaway!

So next Tuesday at 5pm, fire up TweetDeck, TwitterChat or your Twitter app of choice, and follow the hashtag #KFchat to catch the conversation. Include #KFchat in your tweets so we can see what you have to share.

No doubt  we’ll all have lots to share after a day of picture taking on World Photography Day, the day before the chat!

Here are the photographers from FILM that will be participating so be sure to follow them on Twitter:

Tanja Lippert @tanjaLippert

Jonas Peterson @jonaspeterson

Ryan Muirhead @rnmphotography

Jan Scholz  @micmojo

And follow me @KodakCB for chat instructions, information, conversation starters and yes… the film giveaway and the schedule for FILM! Season 2.

framed1

Cole Barash, Iceland and Kodak Film

On the very first portrait Cole Barash went to shoot for his feature on Iceland, “64.133 ºN/21.9333 ºW” in this month’s Relapse Magazine, one of his lights blew up.  Blew. Up.

“Yeah, it’s not like you’re able to run to Adorama and pick up a new light,” said Barash. “So I just stripped my kit to basically a one-light set up with a fill option. It pushed me a little bit to use just that and not have so many options. OK.”

16352_CBA_ICELAND_29_04-Edit

At 25, Barash has photographed campaigns for Adidas, Nike, Rag and Bone, Brixton and Burton. A die-hard film user, Barash’s laid-back persona belies the strength of his creative vision, his disciplined approach to photography and respect for the medium and its history. That drew Relapse Editor Ian Frisch to his work.

“The concept of film in relationship to his photography even furthers my view of him as a true photographer,” said Frisch. “Rather than picking up the newest and flashiest equipment, Cole utilizes the history and foundations of photography, in a physical sense, to capture moments in a way that people have been doing for decades that, in some instances, the younger generation has lost touch with. His passion for photography, across the board, is something that is very rare now-a-days, and something that I hold in the highest respect.”

16352_CBA_ICELAND_21_07

Barash headed to Iceland with 100 rolls of film to shoot a personal project. When Frisch heard about Barash’s trip, he asked him to do a shoot for Relapse featuring the increasingly influential arts and fashion scene in Iceland. Relapse, founded in 2012, showcases edgy, progressive fashion photography and provocative culture journalism.

With not a lot of time or pre-planning, Barash moved quickly to find and create compelling portraits of designers and artists who make up this community and culture.  That same creative vision and work ethic he uses in the back bowls of Canada worked in the studios of Reykjavík.

“Shooting snowboarding out in the back country has taught me a lot. You can’t exactly run 200 feet through waist deep snow to go check an angle,” said Barash. “You really start to put yourself in that 200 foot position and how it’s going to frame up and what it’s going to look at. You need to go find the best angle quick.”

16352_CBA_ICELAND_99_03

In Iceland, when shooting designers, “as soon as I got into their studio, I made some quick decisions on how their brand and how they as a person would be interpreted to me – light and flashy, dark and moody, vibrant and atrocious.”

For the bands, Barash wanted to create photographs that conveyed the feeling of Iceland, as well as the band members themselves.

16352_CBA_ICELAND_77_06

In all cases, Barash moved fast – deciding how he wanted to shoot, the tools he would use to shoot and the need to focus his energy on making a connection with the subjects.

“I knew the tools I had and what I could do with them. I kind of quickly made decisions about the environment – where I wanted to shoot them and how I wanted to light it. Then I just started shooting.”

16352_CBA_ICELAND_106_04

Barash shot mostly with KODAK PROFESSIONAL PORTRA 160, with a bit of  KODAK PROFESSIONAL TRI-X thrown in.

“I love the tones on PORTRA, especially on the skin – I haven’t found anything better,” said Barash. “It’s very soft and fairly muted, but not so muted it feels desaturated; very good contrast.”

“TRI-X – generally the contrast and the grain is pretty spot on for what I like to shoot. Especially when you start developing different filters and process,” said Barash. “I think I’ve been shooting it for so long that I know how something’s going to look on a negative.”

The latest issue of Relapse Magazine is available now in New York at Barnes and Noble Union Square, Soho International News, McNally Jackson Bookstore, Lafayette Smokeshop, Bouwerie Iconic, and Bedford Exotics in Williamsburg, Brooklyn. It is also available through the iTunes Store on all participating mobile devices.

For more on Cole Barash, visit

ColeBarash.com

Nomadda.tumblr.com

Instagram: @nomadda.

And for more on Relapse Magazine, visit

http://relapsemag.com.

Instagram: @relapsemagazine

Film Photography Day 2013

Tomorrow is Film Photography Day!

meetup banner

Lomo created Film Photography Day to celebrate analogue! My colleague, Lars Fiedler, over in Germany chatted with Lomo and we are happy to support the day with Kodak film!

April 12 will be filled with parties, events and workshops across the world. You can search for or start your own Film Photography Day celebration using Meetup. Lomo even provided a downloadable party kit! We have sent Kodak film to Lomo to include in their “Analogue Goodie Packs” they are sending out to events with more than 30 participants.

For those of you that can’t make it to a meetup, don’t worry! We have something planned!

Tomorrow, Friday, April 12 we have enlisted photographers around the world to give away Kodak film on Twitter for 12 hours!

Each photographer has one Kodak film goody bag to give away. It is an assortment of 12 different kinds and formats. Each person will have their own way to enter. You have one hour to enter for each photographer and they will announce the winner at the end of the hour.

Screen shot 2013-04-11 at 11.10.07 AM

Sorting through some of the Kodak film for prizes

Below are the photographer’s twitter links and the times (All Eastern Standard Time) they will be giving away their film goody bag.

**************************

6 am to 7 am – @jonaspeterson
Jonas Peterson – Brisbane, Australia | http://jonaspeterson.com

7 am to 8 am – @micmojo
Jan Scholz – Brussels, Belgium | http://www.micmojo.com

8 am to 9 am- @filmsnotdead
Film’s Not Dead – London, UK | http://filmsnotdead.com

9 am to 10 am- @stillshootfilm
Rachel Rebibo – Paris, France | http://istillshootfilm.org

10 am to 11 am- @ctwphoto
Tim Massie – Albany, NY | http://www.timmassie.com

11 am to noon – @rnmphotography
Ryan Muirhead – Utah | http://www.ryanmuirhead.com

12 pm to 1 pm – @shawnhoke
Shawn Hoke – Brooklyn, NY, US | http://shawnhoke.com

1 pm to 2 pm – @kylebcool
Kyle Bromley – Jacksonville, FL | http://www.kbromleyphoto.com

2 pm to 3 pm – @JosephPrezioso
Joeseph Prezioso – New England/Las Vegas | http://www.josephprezioso.com

3 pm to 4 pm- @hanlonfiske
Hanlon Fiske Studio – Rochester, NY | http://hanlon-fiske.com

4 pm to 5 pm- @jonathancanlas
Jonathan Canlas – Lehi, UT | http://filmisnotdead.com

5 pm to 6 pm- @juliagaldo
Julia Galdo – Los Angeles, CA | http://www.jucophoto.com

6 pm to 7 pm- @erickimphoto
Eric Kim – Los Angeles, CA | http://erickimphotography.com/blog

**************************

Be sure to follow all these awesome film photographers and watch their twitter feeds on April 12!

As for us here in Rochester, we are having a Film Photography Day meet-up too! Hosted by the fine folks at Hanlon Fiske Studio, we will get together to look at photos we have all taken and enjoy some analogue camaraderie.

I am taking prints of these photos I shot on Kodak film in the abandoned Rochester Subway.

016_22A

021_24A

028_31A

I hope everyone has big plans for this year’s Film Photography Day!

Josh Moates and Indie Film Lab

Josh Moates, photographer and founder of Indie Film Lab in Montgomery, shares why he got into the film processing game and how a business decision has impacted his art.

I’ve been taking pictures since my mom gave me a 35mm camera for Christmas when I was in high school and for the last 10 years, it’s how I’ve made my living. When I re-discovered film in 2004, it changed the way I thought about photography, and then it changed my business.

A big chunk of my work is weddings, which I love shooting. But in Alabama, I couldn’t charge enough to make shooting film for my clients a truly cost effective option.

Josh_Moates_portra160

Still, I couldn’t shake my belief that shooting film for an occasion as special as a wedding was important to me and to my clients. We all know the quality of film photos outshines that of digital, and for me, the quality of my composition is better when I’m shooting film.  It stokes my creativity, and not just when shooting happy couples. I have been a 100% Kodak shooter for years because of the new PORTRA line and the classic look of TRI-X.

JoshMoates_Portra4002

When shooting weddings, I use Kodak’s PORTRA color negative films because how easily they scan and how amazing the colors are. The skin tones are truly the best of all the other film brands I have shot. Especially the new Portra 800 – it’s super awesome for lower light situations.  Thank goodness for that film, it has saved me in so many hard to shoot situations.

joshmoates_tri-x

And I love, love love TRI-X for black and white; it has the most classic look of any black and white film. When I look at a TRI-X photograph, it almost looks like it has a soul. I keep it loaded in my Leica M6. Not to mention it is the most versatile film ever. It can be shot at pretty much any speed. I mainly push it to 1600, but I have shot it at 3200 with great results.

I enjoy photographing anything that relates to Southern culture and history—landscapes, architecture and people. But my favorite subjects are always people. Trying to capture someone’s personality in a split second and then share that moment is a challenge that keeps me coming back.

joshmoates_kodak_400nc2

When I look into the faces of my portrait photos done on film, I see an added layer of depth, a layer that enhances and underscores what I’m trying to express.

joshmoates_kodak_400nc

The point is I wasn’t going to stop shooting film. Instead, I decided to find a way to make it work for me. So I took a leap, gathered some partners, and we bought our own lab equipment and scanner. Kim Box, my partner in my photography company, came onboard, as did my shooting assistant, Asheley Willet, who is absolutely integral to the process. He has a degree in chemistry from the University of Alabama and is the technical guru who makes everything come out just right.

joshmoates_portra1603

The original intent was to just process our own film and let the equipment pay for itself. Once we started, we were really happy with the results and shared some shots on a Facebook film shooters’ group. “Who did your lab work?” kept popping up in response to our posts. When I told those asking that we did, they wanted us to process their film too. The light bulb turned on overhead, and I saw a void in the film-processing market just waiting to be filled.

To process the film, we use Kodak Flexicolor chemistry in our color processors and Duraflo RT in the BW machines. The chemistry has been consistent and very stable and we depend on it to deliver top notch negatives for our clients day in and day out. We figure why not use the best chemistry we can get.

Josh_Moates_Portra400

In response, in 2012, we created Indie Film Lab, and in less than a year, it has grown into one of the largest film-processing labs of its type in the world. We had some growing pains initially, but we’re moving full-steam ahead.

Indie Film Lab is more than a successful start-up company. It began as a business decision, but it has moved far beyond that for me. Now, it is my way to play a part in the film community and in the renaissance of film, and as a huge film fan, that’s just cool.

Josh_Moates_Portra_160

Shooting film again has re-awakened my passion for photography, and I suspect it has done the same for many others who started in photography when digital was “king”. I love that now my company is a resource for other artists that shoot film and that we give them a great product. There aren’t many things that give me more satisfaction than doing what I love, on my terms, and being successful doing it.

So I guess the morals of my story if you’re looking for some, are: Don’t be afraid to walk through the doors life opens for you; if you’ve got a great idea, push to make it happen; and never underestimate the value of good partners.

Indie Film Labs road tripped to Vegas and WPPI the 2nd week in March, documenting their adventures with Kodak film. You can see the team’s journey on Instagram, Facebook and on Twitter @IndieFilmLab1

Click here to find more information on Indie Film Lab online.

Guest blog post: Keith Canham & Large Format Photography

Kodak Professional is in Chicago, IL for the annual Society of Photographic Education conference. You can find Tim Ryugo, our national sales manager for professional film, in our Booth #44. along with Keith Canham, owner of K.B. Canham Cameras. Keith tells us how he partnered with Kodak to deliver large format film to the market.KB Canham 7 X 17 3/4 rear view<br />wood large format field cameraLet me introduce myself: I am Keith Canham, owner of K. B. Canham Cameras, Inc. I have built large format cameras for more than 30 years.  I did not start building camera with the intent of owning a camera business. I just wanted a large format camera. I had been photographing for more than 10 years when I had my first opportunity to use a 4×5 camera. Up until that time I had used medium format. It was love at first sight with the 4×5. Not the camera, but the image made with it. The detail and tonal range -just stunning. The topic of the image was not great. It was an assignment shot for a photography course I was taking at the university, but I was hooked. As they say, the rest is history.

I still do all the design work on the cameras. As the owner of the business, I seem to do some of just about everything else, too. We make the wooden parts in our own shop in Arizona. Most of the metal parts are made by two machine shops, also in Arizona. All of the metal parts are machined from solid billets of 6061 aluminum. My company builds everything from 4×5 to 20×24 and will do special one off cameras as well. But enough of the techy stuff.

KB Canham 20X24 3/4 front view with film holder<br /><br /><br />metal ultra large format cameraThe environment of photography today is very exciting. Digital has changed my customers from a large percentage of commercial photographers to a large percentage of fine arts photographers. People with a discerning eye know that digital does not look like traditional. Both can be beautiful in their own right. The artist needs to decide which method or combination of methods best produces the final work of art.

Four years ago I approached Kodak about selling special order films. I had seen others put together groups to order film from Kodak that was not a standard size listed in the Kodak catalog. They would do this only once. Photographers didn’t know whether there would ever be another order put together or even how they could put together such an order. Kodak is a big company and it can be daunting for an individual to figure out how to place a special order. It is also a significant amount of work for Kodak when every special order is from someone new who doesn’t know how it all works. I wanted to make it easy for photographers to acquire film in sizes not listed in Kodak’s catalog. Kodak agreed. Now if you want one of Kodak’s emulsions in any sheet film size, I can get it for you. There is one footnote here. I should say that I can get any size so long as one of the dimensions is 40 inches or smaller. In fact, right now I have an order placed for 6″x7″ Ektar 100, a size that I have never heard of. Over these four years, the film sales have increased. I can tell you from talking to people I know in the film industry that film sales are strong.

No matter what some people say, film is not dead. In fact, it’s very much alive. People were convinced when photography became possible that painting was doomed. Who would paint a picture when a camera could capture it in seconds? Look around – there are still many artists that paint. Why should we believe that film photography is over?

If you want to learn more about us a K. B. Canham Cameras, Inc. take a look at our web page www.canhamcameras.com or like us on Facebook.