Wednesday Works: IS&T Archiving Conference and the Importance of Preservation by Joe LaBarca

Technical Blog - By Joe LaBarca – Pixel Preservation International

joe-labarca-photo

IS&T, the Society for Imaging Science and Technology, is an international organization that for nearly 50 years has been dedicated to advancements in the field of imaging. Every year IS&T holds an Archiving Conference where scientists, curators, librarians, government officials and private businesses gather to discuss the most pressing issues related to the digital preservation and stewardship of hardcopy, audio, and video.

Berlin-International-Film-Festival-418x215

This year’s Archiving Conference will be held May 13-16 at the Arsenal at Potsdamer Platz in Berlin, Germany (home of the Berlin Film Festival) a very appropriate venue for topics of preservation.  One key theme during the conference is the critical need for the protection and preservation of digital image files to professional labs, professional photographers, and consumers. It’s a hugely important and timely topic as there has never been as great a need to focus on preservation of digital photography.

ArchivesRotunda

Last year’s conference was held at the US National Archives and featured several papers that were directly applicable to labs, photographers and consumers on the importance of preserving digital image files. Given the historical and emotional significance of photographic images, the high risk of losing digital files has made it critical to discuss these issues at many different levels.

When we hear the term “digital preservation”, our first thought is often of preserving analog originals (think scanning of film and prints) into digital formats. IS&T and companies like Kodak Alaris, are helping to put a major focus on “born digital” files, i.e., those files originated directly from a digital device.  Clearly, digitally captured photographic images fall into this category.

The idea of creating human readable objects from digital files is very appropriate.  For us that means making prints and photo books. Whether printing at professional labs, including those with on-line fulfillment websites, or even a trip to the store for printing on a kiosk, making prints is easier than ever.  And new Facebook and mobile apps from Kodak Alaris allows for easy print and photo book creation from images stored in social media.

A key point for the long-term preservation of images is to use high quality paper and print media. This includes Kodak Endura papers (look for “Kodak Endura” on the back of the print), Kodak consumer photographic papers and Kodak thermal prints from kiosks (look for “Kodak” on the back of these prints).  This also includes Kodak-recommended materials for photo books, including those using KODAK PROFESSIONAL ENDURA Premier Paper.

A full session of last year’s conference was devoted to film and its ability to create “future proof” storage of digital assets. The idea of “future proof” storage and preservation applies to any physical object having excellent long term keeping properties, and which operates or exists independently of the technology used to create it. This certainly applies to photographic prints as well as film.  A photographic paper like KODAK PROFESSIONAL ENDURA Premier Paper clearly fits the bill and will easily provide long term preservation of digital photographic images for over 200 years when properly stored.

Other interesting topics at the conference session included the continuing high growth rate of digital files and the use of the newer JPEG2000 standard for photographic encoding of digital files.  These are both applicable to our professional and consumer markets and customers.  Clearly the huge growth of digitally captured images comes via the growth of smartphones.  This means that there are ever-more image files for the consumer to manage, share between devices and preserve.  And the larger a digital photo collection gets, the harder this task becomes.  This is true for large institutions and individual consumers alike.  The continued use and support of JPEG2000 (“.jpf” and “.jp2”), as indicated by several papers presented at IS&T last year, implies that older photographic encoding formats like JPEG (“.jpg”) continue on a slow trajectory towards obsolescence.  At some point these vast collections of JPEG image files will need to migrate to a new encoding format or risk being lost forever.  There is no better way to prevent this than by taking those most precious images and making prints.

IS&T Archiving 2014

For more information about the 2014 Archiving Conference including the preliminary program, and to see abstracts of papers from past conferences, go to: http://www.imaging.org/ist/Conferences/archiving/

 

Why I love film

Today’s blog post comes from Bellamy Hunt, AKA Japan Camera Hunter. Be sure to check out the end of the post for a Film Friday giveaway!

********************************************

Why do you love film? This is a question I get asked a lot. Maybe it is because of what I do, but people always seem to want to hear a different answer. But in reality, there is no special answer other than the one that I always have felt. Let me try and explain it to you.

img679

I can vividly remember my first forays into photography, when I was a very small boy and I had a Kodak Instamatic camera which my mother gave me. I didn’t really have the first idea of what I was doing, but I enjoyed doing it, taking pictures.

As I got older my enjoyment of photography grew. I studied the process at college, I worked professionally in a studio using film, I did events and tons of personal projects using film. Which is what we all did, as there was no other way.

img529

When digital came on to the scene I thought it was a godsend. I could spend more time taking pictures, and I could edit the ones I didn’t like. But all was not good in happy valley. Whilst I enjoyed the convenience and the speed of using a digital camera, I found the images lacking something…they were too clinical. I also found myself becoming lazy, slipping. I would spray and pray, and continuously chimp to check images. This was not what I had trained to do, I should have been trusting my skills.

img550

So, I made the decision to switch back to film. It wasn’t a hard decision. I was working for a camera supply company so I was no longer in need of pro digital cameras, as I could rent them if needed. I sold my digital cameras for a pittance compared to what I had paid for them less than 2 years previously. And for that pittance I was able to buy myself a film camera that I had dreamed of owning as a teenager.

For me, film gives me the opportunity to present the world as I see it, with all of the flaws and the mistakes. The world is not a perfect place and I don’t take perfect pictures. I don’t want my images to be razor sharp every single time. With digital I strived for consistency, with film I revel in the inconsistency. Film has also pushed me back into being creative again. I am more thoughtful and aware of how and why I shoot. I mentally prepare projects and compositions in my head, as I don’t want to waste film or opportunities.

img496

Added to that I am a borderline luddite, with a dash of chemistry geek and a full dose of tactile process nerd. So film photography for me is the logical conclusion of my personality. I love the idea of allowing just the right amount of light to react with chemicals on a strip of plastic to create an image that is indelible. A single frame, frozen in time that will probably be around long after I am gone. Tell that to my hard drives (two of which I have lost in the last two years alone), I still have the negatives from that Kodak Instamatic.

img673

I mentioned in previous articles too that shooting with film gives me time. Everything in the modern world is so frenetic, it seems to come at you from all directions, a bombardment of information. Running JCH takes up a huge amount of my time (not that I am complaining, I love it). But when I go out and shoot I can disconnect myself from everything for the briefest period and take the time to calm down and enjoy the little things. Watching people, human comedy and the barely contained chaos that is a big city. I have no rush to see my images, no sense of urgency for a result. I don’t need to feel validation by running home and uploading 150 images to Flickr or whatever. This gives me a sense of balance. Getting my negatives back and checking them is something I can do on a quiet evening with a nice cup of tea on standby.

img537

But it is not just that. It is the look. Sure you can get filters and plugins now so that you can make your digital images look like a certain emulsion, but it is just not the same as the real thing. Because the real thing comes out that way, without having to change anything. And this is not about the megapixels or resolution or whatever. This is about the imperfect nature that is film. The slight uncertainty and the unique minute imperfections that make it such a pleasure to use.

img693

So why do I love film? Because film is like love itself. It is imperfect, irrational, sometimes frustrating and almost impossible to rationalize, but when it works it feels fantastic and keeps me coming back for more.

My favourite Kodak film? There is a constant, which has been a film I have come back to over and over again, that one is Tri-X. It is so perfectly balanced and easy to use, you just cannot fail with a roll of tri-x. I hope it lives forever.

JCH

http://www.japancamerahunter.com

photo

Film Friday Giveaway!

To make Film Friday even more fun, JCH has generously offered a selection of his film cases for a giveaway. These cases were designed by JCH after months of development and testing. They are made from a durable and tough plastic that will keep your film safe from the elements including light.

There will be two prize packages… each with

- One black and one white 135 film case

- One black and one white 120 film case

- A selection of Kodak film

To enter just leave a comment on this blog post explaining why you shoot film. We will randomly choose two winners by 2pm EST on Monday, March 17. Be sure to leave your email address in the comments form so we can contact you if you win. It won’t be seen by others. Good luck!

Film Friday: Film Box: A Lab for Photographers by Photographers

By: Brittany Price

 What defines a successful photographer? Raw talent, experience and an eye for beauty are among the obvious answers, as these skills are essential in the photographic arts. Ryan Bernal and Austin Gros, two Nashville photographers, entrepreneurs and the founders of Film Box, are of the opinion that it takes more than just skill and experience to make it in the photo industry. It takes a family.

The  Film Box Team - shot using Kodak Professional Portra 800 Film

The Film Box Team – shot using Kodak Professional Portra 800 Film

Film Box, a Nashville-based film lab, welcomes photographers and visitors in as part of that family. Situated within a charming, historic blue and white home, this film studio embodies something completely other than your run-of-the-mill, one-hour photo lab. At Film Box, there exists a striking balance between professionalism and comfort. This team provides the highest caliber of photo film processing, while inviting photographers to sit down, have a cup of coffee and engage with a warm community of fellow creatives. The Film Box experience feels like coming home.

Film Box from Film Box on Vimeo.

Image by Austin Grosl© shot using Kodak Professional Portra 400 Film

Image by Austin Gros© shot using Kodak Professional Portra 400 Film

The vision for Film Box and an innovative, photographic community came from Bernal and Gros’ recognition that they were a part of an artistic circle with no place to go. Bernal explains, “We dreamed up the idea of a place, in Nashville, that brings photographers to one spot. There are a lot of photographers, but there’s no place that brings them together. We want to have this cornerstone of our community where, if you’re a photographer, you know about Film Box and you’re part of something, of what we’re doing.” This studio was created to support and expand the talents of photographers, to act as a backbone and hub for an artistic community.

Image by Ryan Bernal© shot using Kodak Professional Portra 400 Film

Image by Ryan Bernal© shot using Kodak Professional Portra 400 Film

Film Box not only develops film, but photographers as well. This begins with their comprehensive ‘Custom Style Profile.’ When a new client walks into Film Box, he or she is asked to provide extensive information about who they are as a photographer: from style and personal taste, to cameras and stocks of film, down to metering and countless other small details. This ‘Custom Style Profile’ enables the Film Box team to begin an ongoing conversation with each individual photographer about his or her body of work, abilities and aspirations. It creates a ‘snapshot’ of the photographer’s professional and personal goals, allowing the knowledgeable Film Box staff to provide feedback and assist the photographer in working towards their dreams.

Image by Austin Grosl© shot using Kodak Professional Portra 400 Film

Image by Austin Gros© shot using Kodak Professional Portra 400 Film

When a photographer hands a roll of film to the staff at Film Box, those photos are placed in the care of some of Nashville’s most talented, exceptional film specialists. As Bernal and Gros dreamt up Film Box, they spent countless months preparing, processing film, perfecting their abilities and knack for photo developing. Both of the Film Box founders understand film photography because both shoot almost exclusively with film. Bernal has shot and developed film since he was a teenager, rambling about Phoenix with a camera. Gros got a taste of film while shooting weddings and never looked back. Bernal, Gros and their staff are uniquely qualified to provide exactly the type of professional assistance and mentorship that was, prior to Film Box, far too difficult to come by in the photographic community.

Image by Ryan Bernal© shot using Kodak Professional Portra 400 Film

Image by Ryan Bernal© shot using Kodak Professional Portra 400 Film

Though Bernal and Gros currently work with a large number of well-established professional photographers, their dream is two-fold: to not only cultivate a thriving photographic community amongst existing photographers, but to also educate and inspire new photographers and the creative community at large to keep the medium of film alive. The Film Box team cannot help but get excited about those who want to make the transition to film. Gros was one of those photographers, as he recounts, “When I first started shooting weddings, I was shooting digital. Film seemed like this big, scary thing. My advice to people who are interested is to just try it. You’ll be surprised how quickly you will be able to make the jump.”

Film_Box_Community_Detail

The Film Box staff believes that film is here to stay. Bernal insists, “People are turning back to film. Not only does opinion support that it often looks better, but photographers are better off training themselves to be film photographers because it trains us to be better.” He believes that all artists are looking to grow and improve. He sees film photography as that next step. Photo printing, educational ‘photo walks’, workshops, maybe even a community darkroom are in the works for Film Lab. This team will do anything to make sure film sticks around.

Image by Ryan Bernal© shot using Kodak Professional Portra 160 Film

Image by Ryan Bernal© shot using Kodak Professional Portra 160 Film

Like any good support system, the Film Box team is there to assist and guide those new to the world of film. They even recommend the essentials, to help new photographers move in the right direction. Both Bernal and Gros are fond of KODAK’s PORTRA 400 film. Gros explains, “The exposure latitude of PORTRA 400 is better than anything else that’s out there right now. For someone who hasn’t shot film before, it gives them the ability to miss a little and still get great results.” He recommends pairing this with the cheapest camera body that works with a photographer’s preexisting digital lens, something along the lines of a Canon EOS 3 or Nikon F100.

Austin_Gros_Portra400_4

Image by Austin Grosl© shot using Kodak Professional Portra 400 Film

Film Box opened its door to the public in February of 2013 and within a period of a few, short months, word spread across the country about this innovative new venture. Bernal and Gros have created a business “by photographers, for photographers” and the artistic community has leapt to its feet in support. Bernal recognizes that people want to join the film box community because it provides exactly that: a community, “We don’t just process and scan people’s film, we become a part of their team, their photography family, I suppose. They can’t do it without us, and we can’t do it without them.” After all, it takes a family to raise a photographer.

- Brittany Price

Lightbox photography in the NYC subway: Current exhibit at Bowling Green Station

Today’s Film Friday post comes from  Lester Burg – Senior Manager, MTA Arts for Transit and Urban Design

Lester Burg headshot

Lester Burg

 

Lightbox photography in the NYC subway: Current exhibit at Bowling Green Station

Sponsored by Kodak Alaris

The Metropolitan Transportation Authority (MTA) moves 8.5 million people each day through its subways, buses and commuter rail systems.  Making art a part of the experience is important – it adds a humanizing element, provides an enhancement that is accessible to all, improves the visual environment and sets a tone that the system is cared for and the customers are considered.  Since travel involves moving people efficiently through various spaces, the more we can do to improve that experience, the better the spaces are treated and enjoyed.   Arts for Transit commissions permanent art in stations – and oversees poster, music and poetry programs as well, with the common goal of improving and enhancing the experience of the transit system. Photography is also offered within lightbox displays in stations where there was the space for a series of light box displays and which were rehabilitated in the past ten years.  The light boxes are in places with heavy foot traffic.

mta3

MTA Arts for Transit curates the Lightbox Project, which showcases photography in large-scale in four key locations – Bowling Green, Bryant Park 42nd Street, Grand Central and Atlantic-Barclays Center in Brooklyn.  We try to find photographers whose work will hold the viewer’s interest over repeated viewings, and which has something to say about the neighborhood, the area or the people who use the station.  The program is made possible through the support of sponsors.  For this exhibit, the displays are printed on Kodak Professional Endura Transparency Display material with a local partner, the Prestone Media Group. We are unable to accept unsolicited photography proposals for the Lightbox Project.

MTA 1

At Bowling Green, more than 25,000 people use the station on a daily basis, and many are international visitors heading to Ellis Island or the Statue of Liberty.  Other riders are office workers in Lower Manhattan.  At this location, we try to show a part of New York not often seen, or a way of expressing the City and travel through a photographer’s particular point of view.  People are fascinated by tall buildings and the dramatic way that Navid Baraty has shot the images is captivating.  The series features aerial views from atop skyscrapers in Manhattan, offering the viewer a look that is straight down.

mta 2

People will stop in their tracks and take a closer look – there is a lot of detail in these photos and the angle of looking downward takes a second to come into sharp focus.  Visitors spend more time looking at the images and people waiting for a train will study the art or photographs.  We always hear from people that they have noticed the photographs in the station and when it is your regular station the photos or artworks become part of the daily landscape.  Ideally, one notices a new detail every day.

- Lester Burg – Senior Manager , MTA Arts for Transit and Urban Design

Bonnie Marcus Holiday Card Collection

Image

The holiday season is one of my favorite times of year at the Bonnie Marcus Collection design studio!  All of the holiday card designs that we’ve worked so diligently on throughout the year are finally available to our customers!  I can hardly wait to see which are everyone’s “favorites!”  (Of course, they are ALL my favorites!)

bonnie-at-table

This year’s collection was inspired by my love of everything that sparkles!  When I launched my business 10 years ago, I hand-sparkled all of my invitation designs to make each one a special work of art. I am thrilled that the advanced print methods at the KODAK Picture Kiosks could replicate the beautiful texture of the glitter that we use in our designs. Your friends and family will love these new beautiful, festive, sparkling card designs!

Another trend that has inspired our new holiday collection is my love of chalkboard-style design, which makes one nostalgic for the simpler days, before email and smartphones were our primary methods of communication.  Our chalkboard-style holiday card designs are definitely some of my favorites!

trend cards

One of the questions I am frequently asked is “How do I make sure that my holiday card stands out from the crowd?”  (What they are really asking is “How do I make sure that my card ‘makes the mantle’?”)  Many families receive hundreds of holiday photo cards during the holiday season!

To make sure that yours stands out from the crowd, my suggestion is to start with a theme in mind – something that is special and unique to your family. What are your family’s passions or pastimes?  If it’s sports, I would suggest taking your family photo at a favorite stadium.  If it’s boating, consider taking your photo out on the water.  Choose something that is representative of you and your family…. and don’t forget to include the family pets as well!

sailboat card

Another tip is to make sure that you take lots of photos – both group photos and individual ones. With 3 little boys in our family, there is a high probability that one of the boys will be making a funny face in every group photo.  So…. to guarantee that you’ll be greeting card ready, make sure that you take individual shots of each family member as well as group photos, because you may opt for a card that has individual photos of each child, if the group photo didn’t turn out exactly how you had envisioned.

It may also be helpful to do a little advance research and choose a few designs that you love prior to even taking your photos.  Perhaps the card you love will set the tone for your photo shoot.  Whether your design style is modern, traditional, nostalgic, religious, or high-fashion, there are such a wide range of options available on the KODAK Picture Kiosk – I’m sure you’ll find one that is perfect for your family!

Designing our photo card is actually a “family activity” for my children.  They love helping to create the cards on the KODAK Photo Kiosks at our local Target.  The machines are very easy to use, and our favorite feature is that you can view your photos in color, black & white, and sepia tones, and then choose the one that looks best with your layout.  My kids love “designing” their own cards at the kiosks, and I love being able to have them print while we shop – instant gratification, no shipping charges, and one more thing off the “to do” list!

color effect cards

EXCITING NEWS!
I will be giving one lucky fan a fabulous exclusive Bonnie Marcus Collection tote bag filled with $100 worth of stylish goodies – from a fashionable iPhone case (4 or 5 avail.) to designer post-it notes, chic thank you notes, stylish stationery sets and more!  For a paper lover, this is truly a dream come true!  The winner will definitely have their stylish stationery needs satisfied in 2014 (and beyond).

To enter to win, head over to the Bonnie Marcus Collection Facebook page and look for the post about the sweepstakes. Leave a comment about your family’s most memorable holiday “Kodak Moment.”  One Bonnie Marcus Collection fan will be chosen at random.  Good luck!

UPDATE: The sweepstakes is over and the winner of the Kodak moments Holiday Gift Box is Montana Griffin!

Cheers to a joyous, meaningful holiday season!

All the best,
Bonnie
Owner, Bonnie Marcus Collection “where fashion meets paper®”

Like us on Facebook  https://www.facebook.com/TheBonnieMarcusCollection
Follow us on Twitter  https://twitter.com/bonniemarcus

Film Friday Guest Post from Photographer Jan Scholz

I started photography after moving to Maastricht in the Netherlands, as a spare time activity, taking pictures around town with a digital SLR. Soon afterwards I turned towards portraits. From then on photography became almost an obsession, consuming most of my spare time.
5946102431_537d1aaef1_b
The main reason why photography is so fascinating to me, is that I can create my own world and use it as a stage for emotions, stories and scenes, that matter to me, that I find beautiful. I often do not have a defined concept for a shoot and just let myself be driven by what I find, the location, the light, the model.
6411403411_eecdb43872_b

I switched to film after I already had a very good grasp on digital cameras and photoshop. The reasons are multifold, and include: I love the look of film right from the scanner. I always loved black and white photography, but when I was shooting digitally I was never happy with the conversion and the resulting tones, regardless of the tools used. My first scan of a simple black and white negative was already a revelation. Film is like a beautiful canvas the image is painted upon.

7129456163_f2cebe963b_b

Another reason are the beauty of old film cameras. They are a joy to use, their simplicity, their vintage feel, the big, bright view finders to look through, the sound of the shutters, the feel of the mechanics when forwarding the film. All these factors are not measurable in megapixels, dynamic range or frames per second, but they inspire me and contribute to the joy I have when photographing. Maybe I am stretching it a bit, but I think they also have a positive impact on most people I photograph. Especially using a large format camera tends to fascinate people, they feel like being part of something special.

7414386376_367fa0bdaa_b

The limitations of each camera, each format is forcing me to approach photography in a different way. I take different pictures with a fast and mobile 35mm SLR than with a slow and stationary Large Format Camera. Going out with such a tripod based camera and knowing that I have just 10 or maybe 20 pictures to take, will make me photograph completely differently than with a 8GB card in the DSLR. It turned the way I photograph upside down. I look a lot more carefully, re-consider every composition and pose again and again before clicking (or not clicking) the shutter. This taught me a lot and I believe I learned most I know about photography and composition after switching to film.

7566678972_f82356157c_b

For most formats and applications, it’s probably true that digital has outrun film in terms of resolution, but in terms of “look” and tonality I am yet to be convinced. It’s a very personal opinion and decision. There are good reasons for digital and film, and everybody has the liberty to use whatever one likes and finds convincing. You can throw a lot of reasons pro-digital at me, it will not change how I feel about using film, for a multitude of reasons.

8310742909_b31f921130_b
My choice of film has been a little journey. I started out by buying and trying all sorts of films and after some time settled for a small selection suited for the situations I mainly photograph in. I believe my “signature film” is KODAK PROFESSIONAL Tri-X Film, developed in HC110. It offers smooth tones, with the right amount of “punch” in the contrast.
- Jan Scholz

Guest Post for Film Friday: Photographer Tanja Lippert

My name is Tanja Lippert and I am a 100% film photographer specializing in weddings, fashion, commercial, music & fine art photography. I’m also one of the hosts of a very special show on the Framed Network called FILM!

nautical-00071  000090850016 Tanja_Lippert1_1501

I live in sunny California, but travel worldwide for photography assignments. I am very passionate and committed to my craft. I love adventure, creativity, traveling, spontaneity, teaching and inspiring others. I am a dreamer and a hopeless romantic at heart. I thank God that he has blessed me with creative gifts and abundant love. On top of all that, I am pretty much a big dork!! I often get asked, “Why do you still shoot with film?” The answer is pretty simple. I am a huge fan of the quality, richness & “magical” look that film has to offer. My favorite films to shoot include Kodak BWCN 400, PORTRA 160 and PORTRA 800.  I love the creaminess of the BWCN 400 and the fact that it is process C41 makes it easy for labs to scan this film and it is really beautiful!  The PORTRA 160 is my favorite portrait film to shoot, the skin tones are beautiful and it has a creaminess to it that I love.  The PORTRA 800 is wonderful film to shoot in both low light and sunlight, it has a beautiful saturation to it, while still keeping skin tones looking natural and amazing!  Shooting film “connects” me to my subject and surroundings and makes me more acute to what is happening in front of my camera. There is no reason for me to be distracted by viewing the images in the back of my camera all day, so instead, I am focused on looking through the viewfinder; waiting for just the right moments to capture.

tanjalippert6-00014 oj013

So many of those moments came during the filming of this season’s FILM Show. We spent eight days in the desert of Las Vegas shooting everything from muscle guys and muscle cars to beautiful models and beautiful scenery to a real wedding to getting shoot whatever makes our hearts happy.  I chose to shoot one of the Assistant Producers in a series of “beauty” pictures because one of my favorite things to shoot are women.  I love to make them feel special and beautiful in their own skin.

39820032 tanja_lippert-0058

When I started shooting fashion work back in 2001, digital was not even an option. I learned photography on film and have NEVER switched. Despite the pressure of the photographic industries and all my fellow photographers, I have held steadfast and true to my love of film and have NO plans on ever switching. By using one of the best film labs in the world to scan my film into high-resolution digital files- I get the best of both worlds, film & digital. I get the look and beauty of FILM CAPTURE along with the convenience of digital (like utilizing Photo Shop when needed and being able to show my work on the internet and share digital files with my clients). Yes, it is true that film is more expensive to shoot and requires me to be an EXPERT at my craft. That is exactly why I will continue to shoot with it. For me, photography is still an art. It’s MY art. It’s my blood, my sweat and my tears. It’s also my joy and my love. I would NEVER dream of sacrificing the quality and look of the images I produce for anything. I know that every photographer has his or her opinion about which is superior, film or digital. For me, film is what makes my heart happy and emotionally ties me to my images.

http://www.tanjalippertphotography.com

http://instagram.com/tanjalippert

https://twitter.com/TanjaLippert

Tori Johnson: DIY Kid’s Magnetic Educational Photo Board

Screen Shot 2013-08-14 at 1.10.26 PM

As a mom of a rambunctious two-year-old I am constantly on the lookout for do-it-yourself ideas that are fun, affordable and educational. When I saw this idea on Pinterest I thought it was the perfect DIY to try out and I immediately had a cool idea on how to make it even better…use PICTURES instead of flashcards! Another bonus, you can do this entire DIY for approximately $30! Can’t beat that!

Screen Shot 2013-08-14 at 1.10.39 PM 

Supplies:

  • Variety of Kodak photos
  • Oil Drip Pan (purchase at any auto supply store for approx. $10)
  • (1)  8x11in dry erase magnetic sheet
  • Variety of magnetic photo holders
  • Magnets
  • Scissors
  • Dry Erase Marker

 Screen Shot 2013-08-14 at 1.11.03 PM

 First, I decided what the “categories” were that I wanted to feature on the board. I knew that these would change as my son got older so I decided to go with a magnetic dry erase sheet so that I could easily make adjustments. I then just cut it in to strips to use at my category names.

Screen Shot 2013-08-14 at 1.11.27 PM

After I decided my categories I found some pictures on the Internet and ones that I had taken as well that fit in to my categories. I then dropped them on to a USB and took them to my local Kodak Kiosk which is right down the street at CVS. Within minutes I had all my pictures printed out. What is so great about using pictures is it is much easier for a toddler to understand what you are asking them is in the photo because they are true-to-life unlike cartoons that you see on flashcards. Additionally, you can make basically any category you want vs. being confined to what is available on a flashcard.

Screen Shot 2013-08-14 at 1.11.52 PM

Then you just slide the photos in to their magnetic holders so they are protected from little grubby toddler hands.

Screen Shot 2013-08-14 at 1.12.03 PM

That’s all it takes! Now ask your toddler all sorts of questions to drive their development! Some questions that I ask my son are, “Which photo is a cow?” “How does a pig go?” “Point to the color green.” Among many others! You can also use your extra magnets to hang photos of your family on the board as well!

 Screen Shot 2013-08-14 at 1.12.14 PM

 Tori Johnson writes about fashion, mommyhood and everything else in between on her blog The sTORIbook (www.thesTORIbook.com). You can also find her on Facebook, Twitter, Instagram and Pinterest!

       Screen Shot 2013-08-14 at 1.12.23 PM

Rebecca Szuniewicz: Calling all Photographers of any level!

Every year, in August, the Pittsford Carriage Association takes Walnut Hill Farm back to the late 19th century to host the Walnut Hill Carriage Driving Competition.  For five days in August the farm transforms, to a time where the horse and carriage was the main source of transportation, and also represented social status.

100_1971

I have attended this event the last couple of years.  It is a wonderful opportunity to get some beautiful and unique photographs.  The farm is decorated beautifully with thousands of flowers, which in itself is great for photographs. The carriages are restored pieces of art from early Americana, and are a must see! The outfits are truly remarkable and add to the authenticity of this event.

100_1962

And, of course saving the best for last, the horses!  They alone command attention and respect the minute they enter the ring.  They will definitely give you reasons to keep your shutter clicking away.  Once you start taking pictures of these majestic creatures, you won’t stop. Put the whole package together-flowers, carriage, outfit and horses, and you have yourself a brilliant afternoon full of tons of photo opportunities. And besides your photographs you will truly enjoy the afternoon at this unique international competition.

100_1980

The event takes place Aug 14th-18th at 397 West Bloomfield Rd in Pittsford, NY.  Walnut Hill is handicapped accessible (call ahead for a staffed golf cart to meet your car), provides ample free parking, and dog friendly.  For full details and schedule of events please visit www.walnuthillfarm.org

- Rebecca Szuniewicz

‘From Fleeting to Forever’ – New E-Book Makes Memories Everlasting

Michael McEnaney and his co-author Greg Scoblete have covered the photo and technology industries for a wide variety of print and online publications. McEnaney, a long time industry expert, was most recently publisher and editor-in-chief of Picture Business Magazine as well as the editorial director of the TechnologyTell network. 
Michael McEnaney

Michael McEnaney

***************************************************************
Is there anything more important than our memories? Most of us spend endless hours snapping pictures and recording video in an effort to preserve and recall the best moments in life. According to research analyst firm, IDC, consumers take about 266 million photos each day, or about 97 billion photos every year, and those numbers are expected to rise year-over-year.

While smartphones and digital cameras have made it easier than ever to capture every fleeting moment, they’ve also created some unique challenges: many of our cherished photographic memories are locked away on computer hard drives or camera memory cards never to see the light of day again. These images are not only gathering virtual dust, they’re also vulnerable to hard drive crashes that could erase them forever.

BookCover

All of the above is why I co-authored a new eBook titled From Fleeting to Forever: Enjoying & Preserving Your Digital Photos and Videos, that explores the many remarkable things there are to do with your digital images and, just as importantly, how to protect them for future generations. For just as digital photography has created a new set of challenges, it’s also unleashed a wave of new creative services for reliving and enjoying our digital memories. The e-book includes chapters on how to better organize you growing photo/video collections, how to share your images safely and privately in the digital era and how to ensure that you can pass your digital photos down to future generations as easily as you would a shoebox full of prints.
The idea for eBook sprung from a website I launched with fellow journalist and the other half of the co-authorship on From Fleeting to Forever, Greg Scoblete. The site is www.your-digital-life.com and as you’ll quickly find we provide visitors with a daily dose of information on post-capture suggestions,ideas, services and deals in an effort to keep your images and videos alive and more a part of your everyday life. We feel strongly about the notion that they’re your memories so why not relive and enjoy them as frequently as you can?
During the book’s research stage, I began realizing that this was a subject matter that had potentially very wide appeal since everyone we talked to immediately agreed that they never know what to do with their images and videos after they capture them. A lot of people also told Greg and I that more often than not, the person who took a particular picture for them—or of them—was the only person who ever ended up seeing it.
Above all, the eBook stresses the importance of printing your images and the joy inherent in turning your digital memories into lasting keepsakes. And ultimately, when it comes to your digital photos, the truth is there’s no better way to store them for the future than to print them. Not all of them, of course, you’d go broke, but certainly the keepers.
And if printing at home simply isn’t an option for you, retail photo kiosks remain a great option and Kodak’s Picture Kiosks (Retail Systems Solutions) are still a dominant part of this landscape at retailers such as CVS, Target and Bartell Drugs.  Wi-Fi connectivity (www.Kodak.com/go/mobile) has now become a standard part of the kiosk mix so getting prints from the images on your mobile phones has never been easier.
From Fleeting to Forever: Enjoying & Preserving Your Digital Photos and Videos is available now for $6.99 at Amazon, Sony, iTunes, Kobo, Apple and Barnes & Noble bookstores. It will be available at other e-book sellers soon.